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By Jon Tharp, Broker · June 1, 2026
At a Glance
The Blue Ridge Orchestra's Summer Soirée returns to Souther Williams Vineyard in Fletcher on Friday, June 12, for a season-ending fundraiser featuring Mozart's Eine kleine Nachtmusik alongside four contemporary works. Ticket options include a 6 p.m. dinner and wine experience or 8 p.m. lawn seating. Now in its third year at this venue, the event raises funds for the orchestra while its home at UNC Asheville's Lipinsky Auditorium undergoes renovations projected to complete in spring 2028.
Three years ago, the Blue Ridge Orchestra tried something different. Instead of a concert hall, they moved the music outside. Instead of rows of seats facing a distant stage, they placed musicians close enough to make real eye contact with the people listening. The experiment worked so well that it became the most anticipated event on their calendar. On Friday, June 12, the Blue Ridge Orchestra returns to Souther Williams Vineyard in Fletcher for the third installment of their Summer Soirée, a season-ending fundraiser that has grown into something much more than a benefit concert.
A Night That Defies the Usual Concert Experience
Classical music carries a certain formality with it. The hush before the conductor raises the baton. The careful attire. The unwritten rules about when to clap. There is nothing wrong with any of that. But it does create a distance between performers and audience that the Blue Ridge Orchestra's Summer Soirée is specifically designed to dissolve.
"When the formality of a stage and concert hall is removed, there is an intimacy created, with musicians performing a few feet from the patrons," says Deb Kenney, board president for the BRO. "There is an ability to socialize and mingle during the evening. Simply put, we get to know each other as fellow music lovers, as people, not 'musicians' and 'audience.'"
That description sounds appealing in the abstract. In practice, at Souther Williams Vineyard on a June evening, it becomes something worth planning your weekend around. The pavilion catches the last light. The vineyard rows stretch out around you. A string quartet sets up close enough that you can hear the rosin on the bow. It is the kind of setting that reminds you why live music exists in the first place.
Kenney puts it plainly: "In the words of several patrons of past events, the evening is magical. Whether dining under cover of the pavilion or enjoying the music from the lawn, you are surrounded by the bucolic vineyard, which creates an ambience of pure enchantment."
This year's Soirée closes out the BRO's 2025-2026 season on June 12, with two ticket options. Dinner, Wine and Music begins at 6 p.m. under the pavilion. Lawn Seating and Music starts at 8 p.m. for those who prefer to bring a blanket and settle in under an open sky.
The Music on the Program
The Blue Ridge Orchestra has assembled a program for June 12 that moves across centuries and continents, from Mozart's 18th-century Vienna to the Mississippi Delta to the pastoral countryside of a long summer evening.
The concert opens with Eine kleine Nachtmusik, Mozart's K. 525 serenade, one of the most recognized pieces in the classical canon. Written in 1787, it remains a work of near-perfect construction, four movements that feel inevitable from the first note to the last. Playing it outdoors, in smaller chamber ensemble format, strips away some of the concert hall weight and lets the piece breathe the way Mozart likely intended when writing for private garden performances.
What follows is where the program becomes genuinely surprising. Four works by contemporary composers each, in the words of music director Dr. Emily Mariko Eng, "capture a different aspect of a summer evening."
Red Clay and Mississippi Delta by Valerie Coleman brings a Southern vernacular to the strings, rooted in the juke joints and casino boats of the Delta. Coleman is one of the most performed living composers in American classical music, and this piece arrives with a rhythm and earthiness that provides a jolt of energy after Mozart's elegant precision.
OBLIVION by Katahj Copley takes the program somewhere darker. Eng describes it as centered on "darkness and uncertainty," and it serves as the emotional weight of the evening. It is the moment that keeps the night from being purely celebratory and reminds listeners that music can hold more than one feeling at once.
Summer Suite by Greg Bartholomew brings images of childhood to the program. It is a piece that earns the word "pastoral" without being soft or forgettable, the kind of writing that rewards close listening.
The evening closes with Suite for Strings by John Rutter, a warm arrangement of folk tunes for string ensemble. Rutter is one of the most beloved composers working in the British choral and orchestral tradition, and this suite is a generous closer for a season that has asked a lot of its musicians and patrons.
Together, the program is a portrait of summer as an emotional season, not just a calendar one.

Photo by zephyr skye on Unsplash
Souther Williams Vineyard: The Setting That Makes It Work
Souther Williams Vineyard sits in Fletcher, a community in the Swannanoa Valley south of Asheville. Fletcher is the kind of place that people from outside of WNC often drive through on their way somewhere else, which means most visitors to the Soirée are in for a genuine surprise when they pull off the road and find the vineyard spread out before them.
The vineyard itself provides what no concert hall can manufacture: the vines, the open air, and the particular quality of light that comes with a mountain June evening. Henderson County's elevation makes for a different kind of summer than most of the South experiences. The evenings cool off. A breeze moves through. The sky stays light well past 8 p.m.
This is the third year the BRO has brought their season-ending fundraiser here, and it is not hard to understand why they keep coming back. A vineyard imposes a certain atmosphere the moment you arrive. You are there to enjoy something. The pressure to be anywhere else dissolves.
For those choosing the dinner option, the 6 p.m. start means arriving while daylight still holds, settling in under the pavilion, and watching the vineyard shift light as the evening begins. For lawn seating, the 8 p.m. start delivers the full transition from dusk to dark, with music carrying across the open air.
Both experiences are relaxed in the way that only this kind of setting can pull off. The BRO's emphasis on community and accessibility suggests a crowd that runs the range from carefully dressed to people who made a spontaneous decision on the drive home from a trail. Prior years have leaned toward the latter as much as the former, and no one has seemed to mind.

Photo by Tim Mossholder on Unsplash
Why This Fundraiser Matters: The Lipinsky Hall Story
The Summer Soirée is not just a season finale. It is, for the foreseeable future, a financial necessity for an orchestra in transition.
The BRO's home concert hall is Lipinsky Auditorium at UNC Asheville. The hall is currently undergoing a major renovation, and the projected completion date is spring 2028. That is two more years of the orchestra performing in borrowed spaces, transporting equipment across town for each concert, and absorbing costs that a permanent home would eliminate.
"The musicians are looking forward to a state-of-the-art performance hall with wonderful acoustics, to having a 'home' where they can rehearse in the same setting they perform in," says Dr. Eng. "The ability to store our percussion equipment in the same location without having to transport heavy equipment for each concert is a challenge to our small staff and our budget, along with a front hall with an actual box office, a balcony to seat more patrons, and so much more."
The list is specific and concrete, and it reveals how much a good permanent space matters to a working orchestra. Moving timpani, bass drums, and mallet instruments for every performance is the kind of logistical burden that quietly drains an organization's energy and budget in ways audiences rarely see.
The Summer Soirée fundraiser directly offsets those costs. Each ticket sold helps the BRO pay for the venues where they perform during the renovation period, keep the musicians playing, and keep the concerts accessible to an audience that has come to rely on the orchestra as part of their cultural life.
Kenney is direct about what the BRO represents and who it serves. "The BRO comprises members from all walks of life who perform for the love of it, musicians who are of the community. They live, work and play here in Western North Carolina." This is not a touring ensemble passing through. These are neighbors.
The Orchestra Behind the Music
The Blue Ridge Orchestra occupies a particular place in the WNC arts landscape. Asheville has built a reputation as one of the most arts-dense cities in the Southeast, with a per-capita creative economy that punches well above its population. The BRO fits into that ecosystem as something the region would have a hard time replacing.
The musicians are volunteers in the truest sense. They hold day jobs, raise families, and then show up to rehearsal because they love playing. The Summer Soirée specifically showcases this dimension of the ensemble by organizing musicians into smaller chamber groups, which Kenney describes as "one of the very special things about this event." Hearing a full orchestra is one experience. Hearing the same musicians in a string quartet or woodwind quintet, up close, on a vineyard terrace, is something else.
For regular BRO concert-goers, the Soirée is a chance to see familiar faces in a different light, quite literally. For newcomers to the orchestra, it is an accessible introduction that does not require any prior knowledge of classical music to enjoy. The vineyard setting does most of the work. You show up, you sit down, and the music meets you where you are.
Dr. Eng's programming reinforces this approach. A program that moves from Mozart to Valerie Coleman to John Rutter is not written for one kind of listener. It is written for an evening, for a gathering of people who came because they wanted to be somewhere beautiful with good music playing nearby.
Two Ways to Spend the Evening
Planning your June 12 night at Souther Williams Vineyard comes down to one decision: dinner under the pavilion or lawn seating under the stars.
The Dinner, Wine and Music option begins at 6 p.m. This is the full evening. Arrive with the light still up, find your seat under the pavilion, and settle in for dinner and wine before the music begins. You will be surrounded by the vines throughout the meal, and the musicians will be performing close by in the chamber ensemble format that makes this event so different from a standard concert.
The Lawn Seating and Music option begins at 8 p.m. for those who want the concert experience in a more stripped-down form. Bring a blanket, find a spot on the grass, and listen as dusk settles over the vineyard. Sound carries differently outdoors, and there is something worth experiencing about hearing Eine kleine Nachtmusik with the mountains somewhere behind you and the sky going from blue to black.
Tickets for both options support the BRO's fundraising goals for the season. Ticket availability and current pricing are best confirmed through the Blue Ridge Orchestra directly as the date approaches.
June weather in this part of WNC tends to cooperate for evening events. The Fletcher area sits at around 2,100 feet of elevation, which keeps summer evenings considerably cooler than the lowlands an hour south. Temperatures in the low 70s are typical for a mid-June evening here, which is close to ideal for outdoor listening. A light layer is not a bad idea for anyone planning to stay through the late program.
What an Evening Like This Says About Western North Carolina

Photo by PJ Frederick on Unsplash
There is a version of Western North Carolina that lives in the tourism materials: waterfalls, hiking trails, fall foliage on the Blue Ridge Parkway. All of that is real. But the region has also built something less often advertised, a genuine arts and cultural infrastructure that draws people not just for a long weekend but for a life.
An orchestra whose musicians hold day jobs in the community and show up to rehearsal anyway. A vineyard in Fletcher that has become the backdrop for one of the area's most beloved summer events. A music director who programs Mozart and Valerie Coleman in the same breath and explains each choice with the kind of care that tells you this is not routine work. These are not the things that end up on tourism websites. They are often the things that tip a decision from "we should visit again" to "we should figure out how to stay."
The Soirée captures that quality of life in a single evening. It is the kind of night that reminds people why they chose this area, or quietly starts them asking what it would look like to choose it.
People who have made the move to WNC often mention moments like this when they explain their decision: a concert, a meal, a specific evening when the mountains and the community and the culture all showed up at the same time. For anyone still in the early stages of thinking about what life in this region could look like, June 12 at Souther Williams Vineyard is the kind of evening that tends to move that conversation forward.
Frequently Asked Questions
What is the Blue Ridge Orchestra's Summer Soirée and when does it take place?
The Summer Soirée is an annual outdoor fundraising concert hosted by the Blue Ridge Orchestra, a nonprofit ensemble based in the Asheville area whose musicians are community members who perform for the love of it. The 2026 event takes place on Friday, June 12, at Souther Williams Vineyard in Fletcher, NC. It marks the conclusion of the orchestra's 2025-2026 concert season. This is the third consecutive year the BRO has held the Soirée at this venue. The event raises funds to help the orchestra cover venue costs while its regular home at UNC Asheville's Lipinsky Auditorium undergoes major renovations, with completion projected for spring 2028.
What music is on the program at the 2026 Blue Ridge Orchestra Summer Soirée?
The program opens with Mozart's Eine kleine Nachtmusik, the familiar 1787 serenade performed in chamber ensemble format. It then moves through four works by contemporary composers: Red Clay and Mississippi Delta by Valerie Coleman, which draws on the sounds of the Delta's juke joints and casino boats; OBLIVION by Katahj Copley, a darker piece centered on uncertainty; Summer Suite by Greg Bartholomew, evoking images of childhood; and Suite for Strings by John Rutter, a pastoral arrangement of folk tunes. Music director Dr. Emily Mariko Eng says each work captures a different aspect of a summer evening, from playful to contemplative to warm.
What are the ticket options for the Blue Ridge Orchestra Summer Soirée at Souther Williams Vineyard?
There are two ticket tiers for the June 12 event. The Dinner, Wine and Music option begins at 6 p.m. and includes a seated dinner experience under the vineyard pavilion. The Lawn Seating and Music option begins at 8 p.m. and is designed for those who want to bring a blanket and enjoy the concert in a more relaxed outdoor setting. Both options support the BRO's fundraising goals for the season. Ticket availability and current pricing can be confirmed through the Blue Ridge Orchestra's website as the date approaches.
Where is Souther Williams Vineyard, and what should I expect at the venue?
Souther Williams Vineyard is located in Fletcher, NC, in the Swannanoa Valley south of Asheville in Henderson County. The vineyard sits at a moderate mountain elevation, which keeps summer evenings noticeably cooler than lowland areas of the South. Fletcher is roughly a 15-minute drive south of downtown Asheville. The venue features a covered pavilion for the dinner option and open lawn space for the Lawn Seating ticket holders. The atmosphere is relaxed and informal. Musicians perform in small chamber ensembles close to the audience, creating an intimate experience that differs significantly from a traditional concert hall setting.
Why is the Blue Ridge Orchestra using a vineyard fundraiser instead of performing in their regular hall?
The BRO's home performance space, Lipinsky Auditorium at UNC Asheville, is currently undergoing a comprehensive renovation with a projected completion date of spring 2028. During this period, the orchestra must rent alternative venues for each performance and transport equipment, including heavy percussion instruments, for every concert. The Summer Soirée at Souther Williams Vineyard helps offset those increased operating costs. The renovated Lipinsky Hall is expected to include improved acoustics, dedicated rehearsal and storage space for percussion equipment, a proper box office, and a balcony to seat additional patrons.
About the Author
Jon Tharp is a licensed NC real estate broker with Keller Williams. He's helped buyers and sellers across Western North Carolina for over 10 years, specializing in mountain homes, land, and short-term rental investments, with offices throughout WNC covering all mountainous areas. If something in this post has you thinking about a move, he's easy to reach — (828) 347-9055 or smokymountainhomes4sale.com or Jon@jontharphomes.com.
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